{"id":166,"date":"2022-02-07T18:09:30","date_gmt":"2022-02-07T18:09:30","guid":{"rendered":"https:\/\/teatrario.com\/eng\/discover\/"},"modified":"2022-02-14T18:48:37","modified_gmt":"2022-02-14T18:48:37","slug":"discover","status":"publish","type":"page","link":"https:\/\/teatrario.com\/eng\/discover\/","title":{"rendered":"DISCOVER"},"content":{"rendered":"\n<div class=\"wp-block-atomic-blocks-ab-columns ab-layout-columns-2 ab-2-col-wideleft\"><div class=\"ab-layout-column-wrap ab-block-layout-column-gap-2 ab-is-responsive-column\">\n<div class=\"wp-block-atomic-blocks-ab-column ab-block-layout-column\"><div class=\"ab-block-layout-column-inner\"><section class=\"ab-block-post-grid featuredpost aligncenter\"><div class=\"ab-post-grid-items is-grid columns-1\"><article id=\"post-21\" class=\"ab-post-grid-item post-21 post type-post status-publish format-standard has-post-thumbnail category-archive category-articles category-head tag-videos entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/02\/13\/caspar-neher-un-escenografo-epico-mas-alla-de-bertolt-brecht-english\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001.jpeg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001.jpeg 1080w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-300x300.jpeg 300w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-1024x1024.jpeg 1024w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-150x150.jpeg 150w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-768x768.jpeg 768w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-100x100.jpeg 100w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-600x600.jpeg 600w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-24x24.jpeg 24w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-36x36.jpeg 36w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-48x48.jpeg 48w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-540x540.jpeg 540w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-750x750.jpeg 750w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/CASPAR-NEHER_destacado.001-180x180.jpeg 180w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/02\/13\/caspar-neher-un-escenografo-epico-mas-alla-de-bertolt-brecht-english\/\" rel=\"bookmark\">Caspar Neher: an epic stage designer (beyond Bertolt Brecht)<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><div class=\"ab-block-post-grid-author\" itemprop=\"author\" itemtype=\"https:\/\/schema.org\/Person\"><a class=\"ab-text-link\" href=\"https:\/\/teatrario.com\/eng\/author\/teatrario\/\" itemprop=\"url\" rel=\"author\"><span itemprop=\"name\">Teatrario<\/span><\/a><\/div><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>The importance of the playwright and poet Bertolt Brecht (1898-1956) in the renovation of the 20th century theatre is not alien to any theatre lover. However, the name of Caspar Neher: painter, set designer and librettist is not so well known to the general public. In a period of time when the division between dramaturgy and staging was not clear (emphazised by the desire to explore theatre as a tool for social trasformation), the overlap between text, stage direction and scenic design is absolute. There is no doubt about Bertolt Brecht genius, but it is also fair to say&hellip;<\/p>\n<\/div><\/div><\/article>\n<\/div><\/section><\/div><\/div>\n\n\n\n<div class=\"wp-block-atomic-blocks-ab-column ab-block-layout-column\"><div class=\"ab-block-layout-column-inner\">\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-atomic-blocks-ab-columns ab-layout-columns-2 ab-2-col-equal\"><div class=\"ab-layout-column-wrap ab-block-layout-column-gap-2\">\n<div class=\"wp-block-atomic-blocks-ab-column ab-block-layout-column ab-is-vertically-aligned-bottom\"><div class=\"ab-block-layout-column-inner ab-has-background-dim ab-has-background-dim-90 ab-background-cover ab-background-no-repeat ab-has-parallax\" style=\"background-image:url(https:\/\/teatrario.com\/wp-content\/uploads\/2021\/07\/almanaque-2.003-copia.png);background-position:83% 16%\">\n<figure class=\"wp-block-image alignfull size-large\"><img decoding=\"async\" src=\"https:\/\/teatrario.com\/wp-content\/uploads\/2020\/04\/febrero-1024x1024.png\" alt=\"\" class=\"wp-image-1249\"\/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-atomic-blocks-ab-column ab-block-layout-column\"><div class=\"ab-block-layout-column-inner\">\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>D\u00eda Internacional de la radio<\/strong><\/li><li><strong>Enrico Caruso<\/strong><\/li><li><strong>Ellen Terry<\/strong><\/li><\/ul>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link\" href=\"https:\/\/teatrario.com\/eventos\/mes\/2022-02\/\">FEBRUARY 2022<\/a><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n<section class=\"ab-block-post-grid featuredpost aligncenter\"><h2 class=\"ab-post-grid-section-title\">DRAMATIC QUOTES<\/h2><div class=\"ab-post-grid-items is-list\"><article id=\"post-30\" class=\"ab-post-grid-item post-30 post type-post status-publish format-standard has-post-thumbnail category-dramatic-quotes entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/02\/08\/eugene-ionesco-en\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1.png 300w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-150x150.png 150w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-100x100.png 100w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-24x24.png 24w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-36x36.png 36w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-48x48.png 48w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-180x180.png 180w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><div class=\"ab-block-post-grid-byline\"><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>Si es absolutamente necesario que el arte o el teatro sirvan para algo, ser\u00e1 para ense\u00f1ar a la gente que hay actividades que no sirven para nada y que es indispensable que las haya. EUGENE IONESCO. Dramaturgo.<\/p>\n<\/div><\/div><\/article>\n<\/div><\/section>\n\n\n<ul class=\"wp-block-list\"><li><strong>&#8220;<em>El arte, cuando es bueno, es siempre<\/em> <em>entretenimiento&#8230;<\/em><\/strong><\/li><li><strong><em>&#8220;Si el teatro es, como los sue\u00f1os, sanguinario e inhumano, manifiesta<\/em><\/strong> <strong><em>y planta inolvidablemente<\/em>&#8230;<\/strong><\/li><\/ul>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link\">Y, \u00bfQUI\u00c9N DIJO ESO&#8230;?<\/a><\/div>\n<\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-atomic-blocks-ab-columns ab-layout-columns-2 ab-2-col-wideleft\"><div class=\"ab-layout-column-wrap ab-block-layout-column-gap-2 ab-is-responsive-column\">\n<div class=\"wp-block-atomic-blocks-ab-column ab-block-layout-column\"><div class=\"ab-block-layout-column-inner\"><section class=\"ab-block-post-grid featuredpost aligncenter\"><h2 class=\"ab-post-grid-section-title\">about people and characters in drama<\/h2><div class=\"ab-post-grid-items is-grid columns-3\"><article id=\"post-69\" class=\"ab-post-grid-item post-69 post type-post status-publish format-standard has-post-thumbnail category-archive category-articles entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/24\/a-writer-called-pepe-viyuela\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"320\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/destacado-viyuela.gif\" class=\"attachment-full size-full\" alt=\"\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/24\/a-writer-called-pepe-viyuela\/\" rel=\"bookmark\">A writer called Pepe Viyuela<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><\/div><\/div><\/article>\n<article id=\"post-50\" class=\"ab-post-grid-item post-50 post type-post status-publish format-standard has-post-thumbnail category-archive category-articles entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/04\/caruso-and-his-unkown-talent-that-made-divas-be-terrified\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"480\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/A0B55FED-1AED-4753-8063-858EEA8F1EC2.gif\" class=\"attachment-full size-full\" alt=\"\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/04\/caruso-and-his-unkown-talent-that-made-divas-be-terrified\/\" rel=\"bookmark\">Caruso and his unkown talent that made divas be terrified!<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><\/div><\/div><\/article>\n<\/div><\/section><\/div><\/div>\n\n\n\n<div class=\"wp-block-atomic-blocks-ab-column ab-block-layout-column\"><div class=\"ab-block-layout-column-inner\"><section class=\"ab-block-post-grid featuredpost aligncenter\"><h2 class=\"ab-post-grid-section-title\">THEATRICAL EXPRESSIONS AND LANGUAGE<\/h2><div class=\"ab-post-grid-items is-list\"><article id=\"post-30\" class=\"ab-post-grid-item post-30 post type-post status-publish format-standard has-post-thumbnail category-dramatic-quotes entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/02\/08\/eugene-ionesco-en\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1.png\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1.png 300w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-150x150.png 150w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-100x100.png 100w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-24x24.png 24w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-36x36.png 36w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-48x48.png 48w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/02\/Ionesco.001-300x300-1-180x180.png 180w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/02\/08\/eugene-ionesco-en\/\" rel=\"bookmark\">Eug\u00e8ne Ionesco EN<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><div class=\"ab-block-post-grid-author\" itemprop=\"author\" itemtype=\"https:\/\/schema.org\/Person\"><a class=\"ab-text-link\" href=\"https:\/\/teatrario.com\/eng\/author\/teatrario\/\" itemprop=\"url\" rel=\"author\"><span itemprop=\"name\">Teatrario<\/span><\/a><\/div><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>Si es absolutamente necesario que el arte o el teatro sirvan&hellip;<\/p>\n<\/div><\/div><\/article>\n<\/div><\/section>\n\n\n<ul class=\"wp-block-list\"><li><strong>Luz de gas<\/strong><\/li><li><strong>R\u00f3mpete una pierna<\/strong><\/li><li><strong>Entre bambalinas<\/strong><\/li><\/ul>\n\n\n\n<div class=\"wp-block-buttons alignwide is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100\"><a class=\"wp-block-button__link\">my kingdom for more!<\/a><\/div>\n<\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n<section class=\"ab-block-post-grid featuredpost aligncenter\"><h2 class=\"ab-post-grid-section-title\">\u00bfsab\u00edas qu\u00e9&#8230;?<\/h2><div class=\"ab-post-grid-items is-grid columns-1\"><article id=\"post-31\" class=\"ab-post-grid-item post-31 post type-post status-publish format-standard has-post-thumbnail category-archive category-did-you-know entry\"><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/03\/did-you-know-robots-are-a-theatrical-invention\/\" rel=\"bookmark\">Did you know&#8230;Robots are a theatrical invention?<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><div class=\"ab-block-post-grid-author\" itemprop=\"author\" itemtype=\"https:\/\/schema.org\/Person\"><a class=\"ab-text-link\" href=\"https:\/\/teatrario.com\/eng\/author\/teatrario\/\" itemprop=\"url\" rel=\"author\"><span itemprop=\"name\">Teatrario<\/span><\/a><\/div><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>Robots &#8220;coexist&#8221; with us for years. Its name is similar in most languages, or with with a little variation (for example, in german it is said roboter).Howewer, the term is not an anglicism (as usually it happens with technology and new terms). It is a Czech word. The most widespread and&hellip;<\/p>\n<\/div><\/div><\/article>\n<\/div><\/section>\n\n<section class=\"ab-block-post-grid featuredpost aligncenter\"><h2 class=\"ab-post-grid-section-title\">scenic world<\/h2><div class=\"ab-post-grid-items is-grid columns-4\"><article id=\"post-74\" class=\"ab-post-grid-item post-74 post type-post status-publish format-standard has-post-thumbnail category-archive category-articles entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/25\/when-mingote-met-hamlet\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"320\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/MigoteDestacado.gif\" class=\"attachment-full size-full\" alt=\"\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/25\/when-mingote-met-hamlet\/\" rel=\"bookmark\">When Mingote met Hamlet<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><div class=\"ab-block-post-grid-author\" itemprop=\"author\" itemtype=\"https:\/\/schema.org\/Person\"><a class=\"ab-text-link\" href=\"https:\/\/teatrario.com\/eng\/author\/teatrario\/\" itemprop=\"url\" rel=\"author\"><span itemprop=\"name\">Teatrario<\/span><\/a><\/div><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>Antonio Minute was Spanish cartoonist, a writer and a journalist. This article is about his last work which was published after his death in 2012 about the &#8220;real&#8221; story of the most famous and crazy prince of Denmark told by Hamlet. This article is only available in Spanish. Go to Spanish version \u00a1Bravo, Mingote! ver&hellip;<\/p>\n<\/div><\/div><\/article>\n<article id=\"post-69\" class=\"ab-post-grid-item post-69 post type-post status-publish format-standard has-post-thumbnail category-archive category-articles entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/24\/a-writer-called-pepe-viyuela\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"320\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/destacado-viyuela.gif\" class=\"attachment-full size-full\" alt=\"\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/24\/a-writer-called-pepe-viyuela\/\" rel=\"bookmark\">A writer called Pepe Viyuela<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><div class=\"ab-block-post-grid-author\" itemprop=\"author\" itemtype=\"https:\/\/schema.org\/Person\"><a class=\"ab-text-link\" href=\"https:\/\/teatrario.com\/eng\/author\/teatrario\/\" itemprop=\"url\" rel=\"author\"><span itemprop=\"name\">Teatrario<\/span><\/a><\/div><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>Pepe Viyuela is a great actor who has been worked in all kind of media (cinema, theatre, tv&#8230;) and a clown (the way he usually refers to himself). However this article is about another kind of work that is not so well-known and it is really interesting too: his facet as a writer. Although this&hellip;<\/p>\n<\/div><\/div><\/article>\n<article id=\"post-67\" class=\"ab-post-grid-item post-67 post type-post status-publish format-standard has-post-thumbnail category-archive category-opinion entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/20\/no-second-chances\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A.jpeg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A.jpeg 1080w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-300x300.jpeg 300w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-1024x1024.jpeg 1024w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-150x150.jpeg 150w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-768x768.jpeg 768w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-100x100.jpeg 100w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-600x600.jpeg 600w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-24x24.jpeg 24w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-36x36.jpeg 36w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-48x48.jpeg 48w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-540x540.jpeg 540w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-750x750.jpeg 750w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/2B203815-D258-485E-BFD1-3E287C48FA4A-180x180.jpeg 180w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/20\/no-second-chances\/\" rel=\"bookmark\">No second chances<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><div class=\"ab-block-post-grid-author\" itemprop=\"author\" itemtype=\"https:\/\/schema.org\/Person\"><a class=\"ab-text-link\" href=\"https:\/\/teatrario.com\/eng\/author\/teatrario\/\" itemprop=\"url\" rel=\"author\"><span itemprop=\"name\">Teatrario<\/span><\/a><\/div><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>Estimado P\u00fablico: \u201dYou never get a second chance to make a first impression\u201d Do you know who this quote belongs to? Yes? No? Continue Reading<\/p>\n<\/div><\/div><\/article>\n<article id=\"post-50\" class=\"ab-post-grid-item post-50 post type-post status-publish format-standard has-post-thumbnail category-archive category-articles entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/04\/caruso-and-his-unkown-talent-that-made-divas-be-terrified\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"480\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/A0B55FED-1AED-4753-8063-858EEA8F1EC2.gif\" class=\"attachment-full size-full\" alt=\"\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/04\/caruso-and-his-unkown-talent-that-made-divas-be-terrified\/\" rel=\"bookmark\">Caruso and his unkown talent that made divas be terrified!<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><div class=\"ab-block-post-grid-author\" itemprop=\"author\" itemtype=\"https:\/\/schema.org\/Person\"><a class=\"ab-text-link\" href=\"https:\/\/teatrario.com\/eng\/author\/teatrario\/\" itemprop=\"url\" rel=\"author\"><span itemprop=\"name\">Teatrario<\/span><\/a><\/div><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>La voz m\u00e1s potente, la m\u00e1s bella, el tono con m\u00e1s matices, una t\u00e9cnica extraordinaria&#8230; Las alabanzas a la prodigiosa trayectoria l\u00edrica del tenor Enrico Carusso (1873-1921) son archiconocidas. Sin embargo, su capacidad vocal no era su \u00fanico talento art\u00edstico&#8230; Enrico Carusso (1873-1921) owes his worldwide fame to his voice. Thanks to it, he has&hellip;<\/p>\n<\/div><\/div><\/article>\n<article id=\"post-31\" class=\"ab-post-grid-item post-31 post type-post status-publish format-standard has-post-thumbnail category-archive category-did-you-know entry\"><div class=\"ab-block-post-grid-image\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/03\/did-you-know-robots-are-a-theatrical-invention\/\" rel=\"bookmark\" aria-hidden=\"true\" tabindex=\"-1\"><img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"1080\" src=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001.jpeg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001.jpeg 1080w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-300x300.jpeg 300w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-1024x1024.jpeg 1024w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-150x150.jpeg 150w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-768x768.jpeg 768w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-100x100.jpeg 100w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-600x600.jpeg 600w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-24x24.jpeg 24w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-36x36.jpeg 36w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-48x48.jpeg 48w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-540x540.jpeg 540w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-750x750.jpeg 750w, https:\/\/teatrario.com\/eng\/wp-content\/uploads\/sites\/2\/2022\/01\/des_RUR.001-180x180.jpeg 180w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/><\/a><\/div><div class=\"ab-block-post-grid-text\"><header class=\"ab-block-post-grid-header\"><h3 class=\"ab-block-post-grid-title\"><a href=\"https:\/\/teatrario.com\/eng\/2022\/01\/03\/did-you-know-robots-are-a-theatrical-invention\/\" rel=\"bookmark\">Did you know&#8230;Robots are a theatrical invention?<\/a><\/h3><div class=\"ab-block-post-grid-byline\"><div class=\"ab-block-post-grid-author\" itemprop=\"author\" itemtype=\"https:\/\/schema.org\/Person\"><a class=\"ab-text-link\" href=\"https:\/\/teatrario.com\/eng\/author\/teatrario\/\" itemprop=\"url\" rel=\"author\"><span itemprop=\"name\">Teatrario<\/span><\/a><\/div><\/div><\/header><div class=\"ab-block-post-grid-excerpt\"><p>Robots &#8220;coexist&#8221; with us for years. Its name is similar in most languages, or with with a little variation (for example, in german it is said roboter).Howewer, the term is not an anglicism (as usually it happens with technology and new terms). It is a Czech word. The most widespread and used with this origin&hellip;<\/p>\n<\/div><\/div><\/article>\n<\/div><\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"class_list":["post-166","page","type-page","status-publish","entry"],"featured_image_src":null,"featured_image_src_square":null,"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"large-featured":false,"medium-featured":false,"sidebar-thumbnail":false,"singular-wide":false,"ab-block-post-grid-landscape":false,"ab-block-post-grid-square":false,"menu-24x24":false,"menu-36x36":false,"menu-48x48":false,"woocommerce_thumbnail":false,"woocommerce_single":false,"woocommerce_gallery_thumbnail":false},"uagb_author_info":{"display_name":"Teatrario","author_link":"https:\/\/teatrario.com\/eng\/author\/teatrario\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/teatrario.com\/eng\/wp-json\/wp\/v2\/pages\/166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatrario.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teatrario.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teatrario.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teatrario.com\/eng\/wp-json\/wp\/v2\/comments?post=166"}],"version-history":[{"count":12,"href":"https:\/\/teatrario.com\/eng\/wp-json\/wp\/v2\/pages\/166\/revisions"}],"predecessor-version":[{"id":216,"href":"https:\/\/teatrario.com\/eng\/wp-json\/wp\/v2\/pages\/166\/revisions\/216"}],"wp:attachment":[{"href":"https:\/\/teatrario.com\/eng\/wp-json\/wp\/v2\/media?parent=166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}